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GRAPHIC WORKS |
Lye’s graphic works reveal a serious interest in the arts of Maori, Australian Aboriginal, and other Oceanic and African cultures. So-called “primitive” art was to have the most enduring influence on his work, and like many mid-20th century artists, Lye suspected that an abstract art based on intuition and feeling could reveal elements of the subconscious, or what he termed the “Old Brain.” In his early sketches, Lye would sometimes attempt to capture the motion of an object, rather than an external appearance. Lye’s photographic works follow the direct approach of his films, and are made without a camera. Many of the subjects for his photograms were well-known creative individuals, Le Corbusier, Hans Richter and Georgia O’Keefe among them.
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Georgia O’Keefe |
| 1947, Photogram |
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Le Corbusier |
| 1947, Photogram |
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Le Corbusier |
| 1947, Photogram |
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Self-Planting at Night |
| 1947, Photogram |
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W. H. Auden |
| 1947, Photogram |
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Sun Slugs and Sea Snails (For Ann Lye) |
| 1938, Paint on paper |
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Motion Sketch |
| c. 1930s, Ink on paper |
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Pond People |
| c.1930, Batik |
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Polynesian Connection |
| 1926-7, Batik |
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Sketchbook with notes from Totem and Taboo |
| c. 1926-7, Ink on paper |
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Sketchbook with notes from Totem and Taboo |
| c. 1926-7, Ink on paper |
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The Govett-Brewster Art Gallery is a museum that fosters the development and interpretation of contemporary
art, and is principally supported by the New Plymouth District Council. © 2002 Govett-Brewster Art
Gallery, Queen St, New Plymouth, New Zealand. Open 10.00 - 5.00 daily. Office hours 8.00 - 5.00 daily. |
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