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COLLECTIONS

Produce

Produce

Don Driver Produce 1982. Courtesy the artist

The man of peace and the man of war (Te Whiti and Titokowaru)

The man of peace and the man of war (Te Whiti and Titokowaru)

Tony Fomison The man of peace and the man of war (Te Whiti and Titokowaru) 1980. Courtesy the artist

Parihaka triptych

Parihaka triptych

Colin McCahon Parihaka triptych 1972. Courtesy the artist

Diving board

Diving board

Maree Horner Diving board 1974-1998. Courtesy the artist

Selflok

Selflok

Hany Armanious Selflok 1993-2001. Courtesy the artist

Star

Star

Hiroyuki Matsukage Star 2000. Courtesy the artist

Belinda-Lee, Miss NZ Drag Queen 1975, at Mojos Nightclub, Auckland

Belinda-Lee, Miss NZ Drag Queen 1975, at Mojos Nightclub, Auckland

Fiona Clark Belinda-Lee, Miss NZ Drag Queen 1975, at Mojos Nightclub, Auckland 1975 / 2010

Billyput

Billyput

Callum Morton Billput 2003. Courtesy the artist

Bill Montgomery at Waitara Freezing Works 1974

Bill Montgomery at Waitara Freezing Works 1974

Darcy Lange Bill Montgomery at Waitara Freezing Works 1974. Courtesy the Darcy Lange Estate

New Zealand Environment No.5

New Zealand Environment No.5

Jim Allen New Zealand Environment No.5 Circa 1969. Courtesy the artist

A film on Real Time

A film on Real Time

Leon Narbey A film on Real Time. Courtesy the artist

Country clothesline

Country clothesline

Christine Hellyar Country clothesline 1976. Courtesy the artist

Rubber gloves

Rubber gloves

Michael Smither Rubber gloves 1977. Courtesy the artist

Taranaki from Oeo Road, under moonlight, 27-28 September 1999

Taranaki from Oeo Road, under moonlight, 27-28 September 1999

Laurence Aberhart Taranaki from Oeo Road, under moonlight, 27-28 September 1999. Courtesy the artist

Self-portrait with rooster

Self-portrait with rooster

Peter Peryer Self-portrait with rooster 1977. Courtesy the artist

"Everyone will live quietly" Micah 4.4

Michael Parekowhai "Everyone will live quietly" Micah 4.4 1990. Courtesy the artist

Taranaki descent

Taranaki descent

Shaun Gladwell Taranaki descent 2004. Courtesy the artist

A Cautious Paralysis

A Cautious Paralysis

Andrew McLeod A Cautious Paralysis 2001

Botanics (brown)

Botanics (brown)

Boyd Webb Botanics (brown) 2003

Roimata Toroa

Roimata Toroa

RNgahina Hohaia Roimata Toroa 2006. Courtesy the artist

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Collections

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The Govett-Brewster houses an important permanent collection with
a focus on contemporary art from New Zealand and the Pacific. Collection strengths include conceptual art and abstract art from the 1970s and 1980s, with recent expansions of its Maori, Pacific and photographic holdings.

Image: Leon Narbey A Film of Real Time 1970. 16mm colour film (film still). Photo courtesy of the Govett-Brewster Art Gallery.

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The Govett-Brewster Art Gallery holds a modest but significant collection of contemporary visual art works. The Govett-Brewster's long-held policy is to acquire works that represent current ideas and are significant in the development of the contemporary visual arts in the Pacific. The collection is intended to provide a usable resource for the Govett-Brewster's exhibition and education programmes rather than a repository for art historical artefacts.  

In practice, the Govett-Brewster focuses on collecting work by emerging and mid-career New Zealand artists and artists from the Pacific. It acquires works that, while characteristic of the artists' output, are distinctive, are of exceptional quality or have some special relevance to the Govett-Brewster or the Pacific region. The resulting works from the Govett-Brewster's collection are in frequent demand for exhibitions throughout New Zealand and overseas.

Acquisitions are funded from income generated by bequests, principally the Monica Brewster bequest. Gifts of art works are from artists and other donors. Approval for all acquisitions is sought from the New Plymouth District Council. In the case of a disagreement between the Council and the Govett-Brewster Director, an advisory committee consisting of Directors of the four metropolitan New Zealand art museums may be asked to make a final decision.

The Govett-Brewster has an active de-accessioning policy, which is designed to keep the collection current and of a high standard. The de-accessioning process is subject to strict controls that are monitored by representatives from the art museum sector and the New Plymouth District Council.